#Folk punk chords series

The Ramones, 1977ДЄnother New York band that played the CBGB, The Ramones, built short, fast, high-energy songs with monotone-like vocal lines. The Televisions also played CBGB, with a bass player who wore spiked hair and torn clothing, a precursor of the punk look to come. It was the starting place for Patti Smith, a punk pioneer with a Janis Joplin-like gutsy voice. One of the underground venues for the new sound was a nightclub called CBGB & OMFUG (Country, Blue Grass, Blues & Other Music For Urban Gourmets), but usually shortened to CBGB. Though commercial success eluded them, they began the evolution of punk. Their songs, about bad girls, drugs and the New York street scene reverberated from the songs of the Velvet Underground. The five men who comprised the group dressed in tight slacks, brightly colored female blouses and scarves, wore heavy-eye makeup and lipstick and climbed into high heels to perform. The punk movement began with a New York based group called The New York Dolls. David Bowie, in his Ziggy Stardust alter-ego, dressed in androgynous attire and wore extensive makeup, bringing in the era of glam rock.

#Folk punk chords series

While the Stooges were grinding out a rhythm and series of chords behind him, Iggy often cut himself onstage, hurled mic stands towards the audience, smeared peanut butter on himself and dove into the crowd. Iggy Pop and the Stooges played music that was angry, offensive and repetitious. In addition to Reed, Morrison and Ozzy Osbourne, Iggy Pop and David Bowie also influenced early punk artists. It was an underground urban movement, which like the beat generation of the вЂ50s, Punk began with an attitude, a look, a way of life, and eventually evolved into a sound. It was called вЂњpunk.вЂќ CBGB, considered by some to be the birthplace of the punk movement It billed itself as the antithesis of pop and was the logical extension of sounds created in the New York lofts of the Velvet Underground, lyrics penned by Lou Reed or Jim Morrison and the simplified power chords of Black Sabbath. It involved no choreographed dance craze, no technologically superior equipment, no charismatic singers, no studio synchronized sound, and no colorful light show. While the media was gorging itself on all things disco in the late вЂ™70s, another, radically different style was finding its own alienated path towards recognition. There have always been competing and often contradictory styles. The amazing truth is that no one style in the 50 years of rock вЂnвЂ™ roll has ever been in sole possession of the landscape. The history of rock вЂnвЂ™ roll is a study in contrasts from commercialism to independent experimentation, from energetic dance to thoughtful ballads, from complex improvisations to simple, 12 bar blues harmonies, from overly produced techno-displays to bare acoustic lines, from power chords to soft violins from romantic lyrics to lines of socio-political protest.